In a whirlwind journey, artist David Choe collaborates with the young artists supported by Haiti's Lide Foundation. 8 days in Haiti, documented by photographer Jason Jaworski, captures the vibrant art and communities of Choe's latest public art project.
DAY 1 - MAPOU
DAY 2 - BAYONÈ - MAPOU
DAY 3 - SOUVENANCE
DAY 4 - GUEROT
DAY 5 - GUILOT
DAY 6 - BSEIPH
DAY 7 - ST JEAN
DAY 8 - TERRE DES NEGRES
David Choe and a collective of artists including Esau Andrews, Andrew Hem, Aaron Horkey, El Mac, and Mars-1 work on Igloo Hong projects in the middle of the Saharan Desert in Merzouga.
David Choe recently spent a few weeks working with the Lide Foundation supporting their arts and education initiative.
Lidè is an educational initiative in rural Haiti that uses the arts and literacy to empower at-risk adolescent girls and help them transition into school or vocational training. Established by Author Holiday Reinhorn, Actor Rainn Wilson and Executive Director Dr. Kathryn Adams in response to the devastating earthquake of 2010, the Lidè program seeks to uplift women and girls who have been denied equal access to education. Lidè trains and employs Haitian teachers and collaborates with grassroots schools and programs, such as “Smallholder Farmers Alliance”, “Fonkozé”, and “H.E.L.P.” In Lidè programs participants gain life and leadership skills and helps foster the community support they need to begin their educational journey.
The Lidè Foundation believes that arts in education inspires personal empowerment, resilience and self-efficacy. Lidè means both “Leader” and “Idea” in Haitian Creole.
To learn more about Lide and the great work they do visit http://www.lidehaiti.org/.
After creating the first serialized “micronovela” on Instagram, artist David Choe follows up his pioneering use of short-form media and adapts it to one of his most popular properties, Thumbs Up!, whose fourth season was announced to be released this year through Instagram Stories and Snapchat via an innovative new format of specially edited short-form videos.
From its inception as one of the first web series devoted to both travel and art, to its period of availability on Netflix, the show itself has always been an internet based property, garnering a large and loyal following with its first three seasons being released online through millennial media giant VICE. And while the new season was initially shot to be released in a traditional 22-minute format, the idea to update the season and its content for the era of “peak TV” was a challenge that Choe took upon himself.
Cutting up the show and eschewing its previous format proved to be a revelation, highlighting Choe’s natural on camera acumen, while culling the hubris of his hosting down into deft, concise, and highly entertaining snippets; not only did the engagement with the show’s characters grow, but the core elements of its entertainment as well as the ability to follow along were immediately enhanced- simply put, the new short-form edit made everything about the show better, from its gonzo style shooting to its updated cinéma vérité form.
With the content truncated, distribution through both Instagram Stories and Snapchat became the ideal venue, targeting viewers who have grown away from traditional television and long form media but who thirst for new, free and above all, easily digestible content. By making the show accessible to them in the outlets they’re already familiar with and engage on the most, social media, Choe brilliantly pivoted one of his most popular properties from being one of the first internet travels shows into an updated and modernized version of what media and content consumption can look like both today and in the future.
Starting in the Castro District of San Francisco, the season runs through the arteries of the United States, showing the country’s smaller roads and highways coupled with the grandeur of the Rocky Mountains and the Sierra Nevada, running across the continental divide, beyond herds of buffalo in the South Dakota Badlands, eventually reaching the other side of the country, with the group scaling skyscrapers to look out on a city as fireworks fire off in the distance.
With a simultaneously endearing bravado and enduring self-deprecation, Choe travels across America with the élan of a showman recognizing the simple profundity that marks each celebration of life- freedom. Dubbing himself both a hopeless romantic and a homeless millionaire, Choe walks a tricky line and succeeds in being all at once inspiring, infuriating, invigorating, and, most of all, entertaining.